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Charlotte Spruit on violin 2 - Canvas print

Charlotte Spruit on violin 2 - Canvas print

Precio habitual €188,95 EUR
Precio habitual Precio de oferta €188,95 EUR
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This canvas print is a reproduction of drawning of the violin soloist Charlotte Spruit playing at the West Wycombe Chamber Festival. Drawn live in black pencil on paper in a...

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SKU: 1127592
Proveedora: Printumo
tipo: Canvas Print
Etiquetas: Canvas

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Instrucciones de cuidado

We have a no returns policy on all custom products made to order items.

If an item is faulty or defective we will accept a return to rectify the fault and return the item to you corrected.

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at william@rowsell.co.uk.
Please note that returns will need to be sent to the following address:

William Rowsell Fine Art, Brook House, Salters lane, Ludgershall, Buckinghamshire, Hp189NY, United Kingdom

If your return is accepted, we’ll send you a return shipping label, and send your package.

Items sent back to us without first requesting a return will not be accepted.
You can always contact us for any return question at william@rowsell.co.uk.

Ver todos los detalles
This canvas print is a reproduction of drawning of the violin soloist Charlotte Spruit playing at the West Wycombe Chamber Festival. Drawn live in black pencil on paper in a direct expressive style on paper.
Inspiration
I draw live at music concerts and sat very close to Charlotte as she played violin at the West Wycombe Chamber festival. My drawing responds directly to the musicians expression and captures their physical movement.

Canvas print material details
Our premium canvas prints are crafted using museum-quality giclée printing technology, ensuring exceptional detail and colour accuracy that brings your artwork to life. Each print is carefully produced on archival-grade canvas that's designed to last for generations.
  • Canvas Material: FSC-certified wood stretcher bars, cotton-polyester blend (300-350gsm, 350-400 microns) matte/satin finish. Scratch, crack, & warp resistant.
  • Size Options: 13 sizes in inches (US&CA) and centimetres (rest of the world).
  • Frames: made from solid real wood in a range of colours.
  • Sustainable Wood: FSC-certified or locally sourced poplar or pine.
  • High-Quality Printing: Long-lasting, vibrant colours.
  • Hanging Kit: Sawtooth hanging hardware comes pre-installed (included, varies by country).
  • Frame Dimensions: The width (the front of the frame) is 9 to 14 mm wide (0.35" to 0.55"), with thickness varying by region— 42 mm (1.65") in North America and 32 mm (1.26") in Europe. A 12 mm (0.45") gap between the canvas and frame ensures a snug fit.

About the artist...

William has worked as a professional artist for 40+ years & his work is held in public and private collections around the world.  His diverse styles of artwork can be found in illustrated books, on ceramics, decorating fabrics, on the wall of many private collections and in public collections such as The Bodleian Library in Oxford.

Artist Info: "My work is grounded in observational drawing and experimentation in all mediums and subjects.

A way to empathise, reflect and deeply connect with my subject. Through decades of observation, I’ve developed an intuitive, responsive drawing process rooted in a deep understanding of form, composition, feel, expression and colour.

I draw when I experience moments in life that I take notice of and they raise the hairs on the back of my neck! I see the beauty of the drape and pattern of a fabric following the shape of a figure. The rhythms, colours and shapes changed by weather and light in a landscape. A musician or dancers’ expression and movement that connects with me during a performance.

Each subject reveals and dictates how it wants the drawn or painted marks to be made - through rhythm, movement, light, or sound - and I respond instinctively, letting the unexpected lead. I stop when the marks align with the subject’s essence and the image holds presence.

This is where I flourish: in the space between play, control and the excitement of accidental and unforeseen discovery.

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